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Technique: 'Guard/Butterfly/Top/Passes - Over Under Pass vs Butterfly';
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Hand Fighting from Standing, Over Under Control vs Butterfly, Folding Pass vs Butterfly, Breaking Gi Grips from Standing
     
3 Part Lesson - As the opponent signals his intentions of pulling guard, simultaneously force your pass by initially pinning his leg. Recognize his movements and answer with connecting passes, while anticipate his gripping and hand fig...
Posted: 70 days ago
7917 views
Standing Step Pass vs Butterfly, Over Under Pass vs Butterfly
     
3 Part Technique - Engaging your opponent in his Butterfly Guard is a matter of distance, connectivity, and opportunity; if you're going to close the distance for a pass, always insist on gaining the upper hand with a dominant form of ...
Posted: 531 days ago
47227 views
Over Under Control vs Butterfly, Over Under Pass vs Butterfly, Over Under Pass vs Hook Sweep
     
2 Part Technique - When you engage your opponent's Butterfly Guard with Over Under Control for the Over Under Pass, he may use his own Over Under Control to steer you away from the side of the pass (overhook-side). Before he can begin ...
Posted: 546 days ago
45679 views
Over Under Pass vs Butterfly, Underhook and Head vs Half Guard, Over Under vs Half Guard
     
2 Part Technique - Counter your opponent's Double Under Control from Butterfly by framing against his neck and pummeling for Over Under Control. Clear his knee into Half Guard and cinch up with Underhook & Head Control for the Over...
Posted: 556 days ago
46199 views
Over Under Control vs Butterfly, Over Under Pass vs Half Guard, Double Under Control vs Butterfly, Folding Pass vs Butterfly
     
2 Part Technique - Hand fight to create an Over Under Control opening against the opponent's butterfly guard. Beat the opponent's half guard by resting your weight above his pinned knee. If an opponent with strong legs forces the Over ...
Posted: 639 days ago
47367 views
Over Under Pass vs Hook Sweep, Mount vs Hook Sweep
     
2 Part Technique - If the opponent attempts a Hook Sweep during your Over Under Pass, kick the hooked leg low while sprawling your hip to the mat. Bring your far knee inside when establishing Side Control to avoid his guard. If you can...
Posted: 1065 days ago
56354 views
Over Under Pass vs Butterfly, vs Half Guard
     
2 Part Technique - The Over Under Pass is the most efficient and safest way to pass the guard. Use the Over Under Control for Gi and the Underhook and Head Control for Nogi. If the opponent uses his knee to block your pass, counter by ...
Posted: 1095 days ago
56981 views
Under Hook and Head Control Over Under Pass vs Butterfly and Half Guard
     
2 Part Technique - The Over Under Pass uses a different control for Gi and Nogi. In Gi, continue to use the Over Under Control, while in Nogi use an Under Hook and Head Control instead. The Under Hook and Head Control is better for Nog...
Posted: 1155 days ago
59078 views
Over Under Pass vs Butterfly and Half Guard
     
2 Part Technique - The Over Under Pass is one of the most successful guard passes used. It would be ideal to continue from the Over Under Pass vs Butterfly into the Over Under Pass vs Half Guard. The Over Under Control vs Half Guard is...
Posted: 1162 days ago
59055 views
Back Step Half Guard to Over Under Guard Pass
     
2 Part Technique - The Back Step Half Guard is a great solution when you cannot establish an underhook for passing. Sometimes the opponent may secure an underhook in Half Guard, so use the Back Step Half Guard to pass on the opposite s...
Posted: 1214 days ago
59178 views
Knee Cross from the Over / Under Half Guard Pass and Back Step Half Guard
     
2 Part Technique - If the opponent is able to get the under hook while you perform the Over/Under Guard Pass, establish the Underhook and Head Control the opposite way instead. Flatten the opponent out and bring your knee across the mi...
Posted: 1237 days ago
60088 views
Passing the De La Riva Guard
     
2 Part Technique - Before the opponent can establish a control and put you in the De La Riva Guard position, break the grips and work a pass of your own, such as the Over / Under Guard Pass. However, now the opponent was able to establ...
Posted: 1239 days ago
63238 views
Over Under Control, Hook Sweep from Butterfly, Frame Escape vs Over Under Pass, Hook Sweep from Half Guard, Bridge Escape from Half Guard
     
2 Part Technique - Counter the Over Under Guard Pass by crunching your body and stopping their diagonal pressure. With your Over Under Control, Hook Sweep the opponent to reverse the position. If the opponent is able to flatten your ba...
Posted: 1247 days ago
59853 views
Over / Under Guard and Halfguard Pass from Collar and Arm Control
     
2 Part Technique - Over / Under Guard and Halfguard Pass using the Collar and Arm Control. This is the preferred Nogi version of this pass using Underhook and Head control.
Posted: 1270 days ago
58680 views
Over / Under Guard and Half Guard Pass
     
3 Part Technique - Passing the Guard and Halfguard using Over / Under Control. This is one of Marcelo's favorite Guard Passes. The Nogi version is exactly the same, except you would use Head and Underhook Control if you or your opponen...
Posted: 1275 days ago
60934 views

Featured Videos Videos Being Watched Now
Videos 1 to 5 of 25
Half Guard to Mount
     
650 days ago
17063 views
Hand Fighting from Butterfly, 1Leg X Guard Entry from Single Leg Control, 1Leg X Guard Entry vs Knee Slide Pass, 1Leg X Guard Sweep from 1Leg X Guard
     
2 Part Technique - You have to adjust your Hand Fighting from Butterfly to accommodate for the ...
715 days ago
49154 views
Guillotine Escape, Hand-Fighting vs Butterfly, Double Under Control vs Butterfly
     
Don't miss out on this exclusive, in-depth conversation between two black belt ADCC veterans th...
195 days ago
906 views
Turning Escape vs Mount, Half Guard to Guard, Arm Control Bridge Escape vs Mount
     
2 Part Technique - As soon as you are mounted, immediately turn and face the leg that stepped o...
801 days ago
49809 views
Back Step Pass vs Half Guard, Back Step Half Guard to Mount
     

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