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Videos 1 to 25 of 38
Breaking Grips vs Spider Guard, Over Under Pass vs Spider Guard
     
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3-Part Fundamental Lesson -- Bernardo shows some of his favorite ways to pass the Spider-Guard: If your opponent finds Double-Sleeve Control and places one foot your hip and their other onto your biceps, maintain a strong base and work...
Circling Pass vs Open-Guard, Knee-on-Belly, Taking-the-Back vs Single-Leg, Seat-Belt Control from Back
     
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2-Part Fundamental Lesson -- Paul briefly instructs an important detail regarding connected reactions while passing: After knocking your opponent backwards from seated upright to lying recumbent, use your hands to post against their st...
Over Under Pass vs Half Guard
     
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1 Part Lesson -- Paul explains how Marcelo prefers to pass his opponent's Half Guard while wearing the gi. The idea is avoid raising your hips into the air and giving your opponent a chance to roll you from the top. Spread your weight ...
Americana from Side Control
     
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1 Part Lesson -- Paul expertly explains how to implement the 'Americana' Shoulder-Lock from Side Control: Switch your base from the square-on Side Mount into Kuzure-Kesagatame (or Modified Scarf-Hold), collecting the opponent's elbows ...
Posted: 2600 days ago
 32879 views
Breaking the Closed Guard > Single Leg Stacking Pass vs Open Guard
     
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1 Part Lesson -- Paul articulates details for the Single Leg Stack Pass: The key piece of information stressed for this particular technique lies in the matter of keeping one's shoulders parallel with those of the opponent before drivi...
Fighting from Standing > Tani-Otoshi > Bridge Escape vs Mount > Breaking the Closed Guard > Breaking the Closed Guard
     
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3 Part Lesson -- If an adversary steps back to load up a hooking punch, step forward and fill the inside space with a frame that deflects the blow to the outside and allows you to close the distance for the clinch. Hide your shoulder u...
Americana from Mount
     
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4 Part Lesson — Paul masterfully explains the Full Mount Position and several Submission finishes for Self-Defense: [I]Paul explains how to make your Mount feel heavier than you physically appear. The technique focuses on understanding...
Stacking Pass vs Open Guard → Crucifix Armbar from Back
     
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2 Part Lesson — Paul makes an advanced technique seem simple by explaining it in great detail: [I] Paul shows how you can readily gain access to the Crucifix and the Choke/Armbar Double-Attack from off of the Double Under Pass series (...
Stacking Pass vs Open Guard
     
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2 Part Lesson — Paul covers the Stacking Pass in greater detail: [I] Thumb-inside grip allows greater drive forward for pressure, a fingers-inside allows you to hold your elbow in tightly to maintain position. Don't turn when you pass ...
Posted: 4245 days ago
 15864 views
Stacking Pass vs Open Guard
     
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1 Part Lesson — Paul provides two great details for preserving the Stacking Pass: [I] Avoid allowing your opponent to increase his chance of escape from the Stacking Pass by counter-intuitively running yourself backward away from the p...
Posted: 4261 days ago
 15503 views
Stacking Pass vs Open Guard
     
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1 Part Lesson — Paul gives the details for the Double Under Stacking Pass: [I] Elevate the opponent's hips up onto your lap by ramping his legs on your shoulders with the Double Underhooks. Replace your hand with your knee to make a ki...
Posted: 4276 days ago
 15495 views
Stacking Pass vs Open Guard
     
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1 Part Lesson — Paul explicates details on the Stacking Pass after Breaking the Closed Guard: [I] It is important to understand when to turn the corner for the Stacking Pass: too early, and you risk being Triangled; too late, and you m...
Posted: 4543 days ago
 23698 views
Mount, Americana from Mount, Armbar from Mount
     
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2 Part Lesson — Paul teaches how the Americana and Armbar are correlated in Mount: [I] The Americana (aka Keylock, Ude Garami, Double Wristlock, et al) can be applied from Mount by forcing the opponent's wrist down to the mat by his he...
Posted: 4637 days ago
 28290 views
Breaking the Closed Guard, Stacking Pass vs Open Guard, Armbar Escape vs Closed Guard, Leg Drag Pass vs Open Guard
     
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2 Part Lesson — Paul shows two instances of smashing the opponent's guard; one as a pass after breaking the Closed Guard, and the other after defending an Armbar: [I] Gain upright posture, gather both lapels, turn your elbow outward, l...
Circling Pass vs Open Guard, Pull Escape vs Kimura, Under Hook and Head vs Half Guard, Knee Slide Pass vs Half Guard
     
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2 Part Technique — Marcelo demonstrates the 2nd easiest Guard Pass, The Circle Pass, and later shows how to defend against the Kimura, finishing with a Half Guard Pass. Marcelo was able to successfully land the easier guard pass at ADC...
Over Under Pass vs Hook Sweep, Over Under Pass vs Half Guard
     
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2 Part Technique - Once you've learned the basics of the Over Under Pass, the next step is to learn how to successfully score with the pass when your opponent attempts to Hook Sweep you. Quite simply, stiffen your body like a stiff boa...
Collar and Elbow Control vs Butterfly, Push to Open Guard, Knee Slide Pass vs Butterfly, Knee Slide Pass vs Half Guard, Knee on Belly
     
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2 Part Technique - Use Collar and Elbow Control to force the opponent into Open Guard. Pressure your knee forward and cut across to pass. Create more pressure by angling and pointing your knee away at the end. As the opponent attempts ...
Knee Slide vs Open Guard, Underhook and Head vs Half Guard, Half Guard to Mount, Over Under vs Half Guard, Knee Slide Pass vs Half Guard
     
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2 Part Technique - Use an Under Hook or Head Control from Open Guard to neutralize the opponent's movement by pinning his back to the mat in Half Guard. Wrap your arm around the opponent's head, grasp near his shoulder, and turn your w...
Push to Open Guard, Knee Slide vs Open Guard
     
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1 Part Technique - While standing inside of your opponent's Open Guard, perhaps after a Guard Break or shoving him back from his Butterfly, hide your hips from his feet with your elbows and gain control over his collar and knee. Pin hi...
Breaking the Closed Guard, Stacking Pass vs Open Guard, Stacking Pass to Seatbelt Control
     
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2 Part Technique - The Stacking Pass can not only lead to Side Control, but can also allow you to take the back. If your opponent incorrectly rolls over his shoulder, or you intentionally force him into that direction, immediately run ...
Breaking the Closed Guard, Stacking Pass vs Open Guard
     
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1 Part Technique - Your opportunities to effectively attack your opponent are severely limited if you're held inside his Closed Guard, and conversely, he will have a multitude of options and possibilities to threaten you with. Therefor...
Posted: 5170 days ago
 66226 views
Underhook and Head Control from Side Control, Americana from Side Control
     
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1 Part Technique - After establishing Underhook & Head Control from the Cross-Side Mount to pin your opponent flat upon passing his guard, it is time to start hunting for the submission. The Americana Shoulderlock, or Keylock, is a rud...
Posted: 5171 days ago
 66810 views
Breaking the Closed Guard, Stacking Pass vs Open Guard, Underhook and Head Control from Side Control
     
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1 Part Technique - The Stacking Pass is an excellent option for when you've opened your opponent's guard, are in the ready-position with your elbows in, and he doesn't allow you to press either of his legs to the mat. Instead of pinnin...
Pendulum Sweep from Closed Guard, Mount, Americana from Mount, Armbar from Closed Guard
     
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3 Part Technique - When your opponent makes a mistake, never let it slide; pounce on every opportunity to capitalize on his miscalculation. This is true in the case of your opponent attempting to stand up in your Closed Guard. If he st...
Underhook and Head Control from Side Control, Americana from Side Control, Far Side Armbar from Side Control
     
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2 Part Technique - If your opponent maintains a defensive posture while held in the Side Control with Underhook & Head Control, switch your base by laying onto your hip and keeping tight along his sides. Switching your base in this way...
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